Smirnoff then asked how he could effortlessly go from producing 10 projects a year to more than 100 while keeping a keen eye on individual stories. Now, we’re producing over 100 projects, we’ve calculated we’ll be working on nearly 130 projects next year to supply both our platform networks,” he stated, predicting, “the number of productions won’t only hold steady, but likely increase.” “To go from six, seven, maybe 10 productions a year tops, which made us practically a boutique company working almost exclusively with specific broadcasters, almost by request because they wanted us to produce their projects. While some moving parts feel the same to Aranguibel, he admits, the magnitude of the work has evolved. He then reminded the audience of powerhouse projects “Violetta,” “Soy Luna” and “Hasta Que Te Conocí, Monzón,” that were made in the past two decades, which he partially credits for the profound growth of the Latin American market. We’ve walked every step of the path that brought us here, so intensely,” he stated. “The point we’re transiting is the consequence of 20 years of experience we have in the region, making local productions, creating original content. streaming platforms, Aranguibel admits to seizing time to hone the craft. When asked to discuss the differences between producing content for broadcasters and channels vs. It was the only Latin American series out of 10 selected from all over the world.” For example, ‘Li mbo,’ a series we’ll release in the first months of 2022, was selected for competition at Canneseries, where we went in October. He added: “we’ve also been through the line-up for Star Plus. “A few days ago, we’re proud to have released internationally on all Disney Plus platforms our first-ever original content simultaneously in North America, Europe, and Latin America, called ‘Entrelazados,’ he said. On the heels of the successful launch of Disney Plus and Star Plus, he spoke to acclaimed projects they’ve recently moved to market. It’s been a wonderful challenge that everyone on the production team was very excited to tackle.” The self-proclaimed eternal optimist in Aranguibel relayed, “It’s extremely positive despite the circumstances that the industry, and the whole planet, have been through the last two years.
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